5. To the Lenbachhaus: An artist's palace
Wednesday November 1, 2017
I read that in the Lenbachhaus, a large municipal museum, an exhibiton of the works of Gabriele Münter (1877-1962) had just opened. Münter was a German expressionist painter and exceptional woman, probably never given due recognition in her day. I was eager to see this unique collection of her work, some of which had never been on display anywhere previously.
Hoping to avoid the crowds, we were there when the Lenbachhaus opened. But there were already lines waiting to buy tickets and we figured most people were headed for the Münter exhibition. It was a holiday and it seemed everyone had the same idea - to come early to beat the crowds. We decided to come back for Gabriele Münter another day, but since we were there we could visit other parts of the museum.
I read that in the Lenbachhaus, a large municipal museum, an exhibiton of the works of Gabriele Münter (1877-1962) had just opened. Münter was a German expressionist painter and exceptional woman, probably never given due recognition in her day. I was eager to see this unique collection of her work, some of which had never been on display anywhere previously.
Hoping to avoid the crowds, we were there when the Lenbachhaus opened. But there were already lines waiting to buy tickets and we figured most people were headed for the Münter exhibition. It was a holiday and it seemed everyone had the same idea - to come early to beat the crowds. We decided to come back for Gabriele Münter another day, but since we were there we could visit other parts of the museum.
The building itself has an interesting history. The Lenbachhaus website is well done and in English if you are interested in more information. I picked out a few details and included them here.
The Lenbach Villa was the private residence of Franz von Lenbach (1836-1904), a celebrated portraitist. As an outward reflection of his great artistic and financial success, he built a magnificent villa. Residential and representative rooms as well as the studio and gallery wing were lavishly decorated in various historic styles. To heighten the effect, the rooms were kept semi-dark so that everything was bathed in an atmosphere of mystery. Lenbach’s home was also one of the most modern in Munich: it had electric light throughout and featured steam heating, a bathroom, and a photo studio.
The Lenbach Villa was the private residence of Franz von Lenbach (1836-1904), a celebrated portraitist. As an outward reflection of his great artistic and financial success, he built a magnificent villa. Residential and representative rooms as well as the studio and gallery wing were lavishly decorated in various historic styles. To heighten the effect, the rooms were kept semi-dark so that everything was bathed in an atmosphere of mystery. Lenbach’s home was also one of the most modern in Munich: it had electric light throughout and featured steam heating, a bathroom, and a photo studio.
We got our tickets after a short wait and had a look at a section of the museum which shows some of the original rooms where Lenbach and his family resided. The rooms were decorated lavishly and kept dark to add an atmosphere of mystery. (Dark, hmmm. Of course no flash or tripod allowed.)
We could easily have spent much more time here. The Lenbachhaus collects, conserves, studies, and presents the art of the nineteenth century, the Blauer Reiter, the New Objectivity, as well as international contemporary art. But we will be back.
Cafe Ella was added on to the museum when it was renovated not many years ago. They have great cake, good coffee and a tempting breakfast menu. We decided to forfeit lunch today and go for a second breakfast.
Cafe Ella was added on to the museum when it was renovated not many years ago. They have great cake, good coffee and a tempting breakfast menu. We decided to forfeit lunch today and go for a second breakfast.
This visit was an enjoyable discovery. I had been to the museum often, mainly to see the pictures from the Blauer Reiter. "The Lenbachhaus has the world’s largest collection of art of »Der Blaue Reiter« (The Blue Rider), one of the most important groups of avant-garde artists in the early twentieth century." But I knew absolutely nothing about Lenbach and had hardly looked at the historic rooms.
It was writing about my rides for the challenge that got me to look a little more closely.